I've had a couple of e-mails about last Friday's blog, in which I expressed regret over my lack of involvement, and apparent lack of mention, in Criterion's upcoming box set THE COMPLETE MR. ARKADIN. One of these was sent to alert me to a message board that was citing my Welles blog to variously characterize me as an embittered or worn-down or self-aggrandizing egomaniac... and it wasn't even the usual message board.
It's amazing the degree to which one can put the noses of strangers out of joint just by writing candidly about something personal that doesn't even concern them. For people who admitted they hadn't read VW in years, or only thumbed through it at Borders on occasion, these milling souls felt fully authorized to broadcast some rather fresh opinions about me. One of them, with only five or six postings on the entire site to his credit, had devoted more than half of them to taking me down a few pegs. (I just paused in my typing to see if anything else worth reporting had happened in the thread, and it appears the administrator has locked it because things were starting to turn nasty!)
Let's drink to being a so-called public figure.
To correct an unfortunately common misunderstanding, I'm not "bitter." I've been somewhat depressed of late, but not about this. As I clearly stated, I was disappointed that my articles were not acknowledged in the Criterion's pocket-sized history of MR. ARKADIN annotation. No more, no less. I think they deserved a mention. That thought was on my mind when it was time for me to write a blog, so the blog turned out to be about that. As I hope my friends at Criterion know, I'm very enthusiastic about the set and looking forward to watching it and reviewing it. (Of course, I won't be mentioning my lack of mention in my review; that would be impertinent, but I don't believe it was an unreasonable passing subject for a personal soapbox like this.) As I also mentioned, it's possible someone mentioned my articles in a commentary track or somewhere else on the disc. If not... oh, well. At least I know, and you know -- right?
Also, I may feel worn-out at times, but as Glenn Erickson and my wife will tell you, I am the polar opposite of "worn-down." In the last 30 days, I've probably written 30 reviews, columns, blogs and essays, as well as parts of a couple of articles still in-progress, not counting God knows how many e-mails and message board postings. I knocked off yesterday's Sterling Hayden blog, a biggie, before breakfast. Before coffee. Of course, I have no right to be proud of any of this, even though self-satisfaction is all that most of it pays.
One of the e-mails I received this weekend offered the following counsel: "I have not read your initial essay that ran in VIDEO WATCHDOG, but from how you describe it in your blog, it sounds like the type of piece that runs often in the mag, an essay that's more of a shopping list of differences than a text exploring the films themes and ideas. It seems sort of weird that you would want your article to be included or mentioned in the box set. What's the point? Watching the films, any viewer can see what's missing or been added compared to the others. Hardly sounds like an 'important' text... You seem to do this a lot, especially in the blog - blow your own horn, congratulating yourself. It's a little unnerving at times. Let us, your fans, do that. Sorry if this sounds like a mean note, it's just that I read the blog religiously, and that last entry just sounded so weirdly indignant, it left a bad taste in my mouth."
Hey, pass the Listerine. Twenty-two double-columned pages which annotated, in full detail for the first time, the minute differences between three distinct versions of a classic Orson Welles film, and it "hardly sounds like an 'important' text." Ladies and gentlemen... my fan.
In the hope of clearing up any and all remaining misunderstandings, the purpose of Friday's MR. ARKADIN blog was three-fold. I wanted to 1) help generate anticipatory interest in the Criterion set, which I count as a very exciting release; 2) to do what I could to re-stake my 14 year-old claim in ARKADIN matters (which, sorry, I consider an important personal achievement), and 3) to let people know that these Welles issues of VW were still available, because the release of the Criterion set makes them relevant and timely once again. Since Friday, we've sold more than a dozen sets of the magazines, so some people got the idea. Without the blog, they'd still be sitting in inventory... so it was a good idea.
Oh yes, about the "self-aggrandizing." The participants on this shall-be-nameless message board somehow overlooked the fact that everybody blows their own horn, from the guy who finds a quarter on the sidewalk to every television channel on the dial. True, some people hire publicists to make it appear that other people are talking them up, but I can't afford that phony luxury. I do, however, have the advantage of publishing a magazine -- and our Kennel page exists to further compensate our contributors (of whom I am one) with a little personal publicity about their outside activities. Even though VW doesn't cover fiction, per se, we donated full page ad space to my novel THE BOOK OF RENFIELD -- Lord knows Simon and Schuster didn't have an advertising budget for it. The ad featured some enthusiastic critical blurbs, which is obligatory. I also used VW to announce when the novel and my Roger Corman bio script were optioned. It's called sharing good news. I think friendly readers accept such things in that spirit.
Perhaps when one publishes a monthly magazine, one's byline and constantly updated list of activities begins to look like "me, me, me" to the surly, the teeth-grinding, and the unoccupied. But there's a big difference between saying "This is what I've done" and "Look how great I am." I don't think I qualify for greatness, but I do think I write my butt off. My work is the better part of me and, through discipline and diligence, it stacks up. I take a natural, parental pride in what I produce. I'd like my work ethic, the quality of my work, and the good notices paid to my efforts to pay off in better opportunities, and this desire occasionally leads me to the indignity of self-promotion. An indignity, by the way, not exactly alien to Pablo Picasso, Alfred Hitchcock, Norman Mailer, William Castle, Andy Warhol, Muhammad Ali, John and Yoko, David Bowie, or Forrest J Ackerman -- to name only a few of the thousands of shameless self-promoters beloved by history, and possibly by you. Not that I'm saying I'm in their same league, only that I'm entitled to the same rights as they. And I think I avail myself of those rights with relative restraint. What, me Morrissey?
Anyway, enough about me. "I couldn't agree more," some of you good people are likely murmuring. For those of you who don't care for the occasional toot of my horn, I recommend that you employ common sense and avoid those of my outlets which are "first person" by nature and design, like my blog and my VW editorial.
Like it or not, I'm the only "first person" I have.