Thursday, April 27, 2006

VIDEO WATCHDOG 125 Is In The House

The new issue of VIDEO WATCHDOG was delivered to our door this afternoon and the mailing process is now getting underway. Since we posted the particulars about this "Coming Soon" issue on our website, the cover has generated an unusual amount of pre-release interest and advance orders. It would seem that new customers have been attracted by the KONG coverage, but also, every title mentioned on the cover is a big, multi-million-dollar production with a high recognizability factor -- which I suppose isn't always the case with the stuff on our covers. Why the sudden commercial stance? Well, even though VW has continued to reach newsstands on a strict bimonthly schedule, for Donna, our Kennel contributors, and me, VW was the first issue we had produced in about four months. It was the first time in 15 years that so much time had transpired between issues, or at least between bouts of active magazine production, so I was frankly a little nervous about returning to bat. I felt the occasion required everyone to pull together and put the best foot forward.

I am so proud of our contributors. They really outdid themselves, providing Donna and me with enough reviews to fill the greater part of not one, not two, but three issues. God bless them every one: As I sat down to edit their material, I found that their submissions collectively pooled into 104 single-spaced pages of criticism... but editing the work turned out to be pure pleasure because the time off had energized everyone; everyone was writing at the top of their form. As I read through the submissions, I noticed that some reviews mysteriously dovetailed with other, unrelated reviews, either topically or thematically, which made it fairly easy to organize everything into three distinct issues. But, for this first issue of the three (as I mention in my "Watchdog Barks" editorial), my goal was specific. I wanted to start out by picking "the biggest, reddest apples in the orchard."

Beyond the blockbuster titles listed on the front cover, VW 125 also reviews such releases as KING KONG - PETER JACKSON'S PRODUCTION DIARIES, THE ADVENTURES OF SUPERMAN - THE COMPLETE FIRST SEASON, SON OF KONG, MIGHTY JOE YOUNG, ALONE IN THE DARK (1982), HOUSE OF WAX (2005), KONGA, FIVE WEEKS IN A BALLOON, Bruce Campbell's MAN WITH THE SCREAMING BRAIN, Jess Franco's NIGHT OF THE SKULL, and much else of interest. Furthermore, our LAND OF THE DEAD Round Table Discussion (14 pages!) is complemented with a review of the direct-to-video DAY OF THE DEAD 2: CONTAGION; we've got Ramsey Campbell on The H.P. Lovecraft Historical Society's THE CALL OF CTHULHU; and "Biblio Watchdog" features an expanded, more detailed draft of my WatchBlog review of THE FAMOUS MONSTER MOVIE ART OF BASIL GOGOS. Even Doug Winter's "Audio Watchdog" covers only monster-related soundtracks, this time around.

For a free sampling of the issue, visit our website at the link near the top of this page, click on "Coming Soon" and click on the KONG cover. This will bring up pdfs of two different page spreads from the issue -- four pages you're free to enlarge and peruse to your heart's content. The issue can also be ordered from that page.

All in all, I think it's one of our best issues, and I hope you will all add it to your collections. And for you KING KONG buffs, the KONG saga will continue in VIDEO WATCHDOG 126, with two major contributions by Yours Truly -- a "DVD Spotlight" review of the Peter Jackson film, and a feature article about Edgar Wallace and his oft-overlooked role in the genesis of the 1933 classic. I'm especially pleased with the latter, which I believe adds something conspicuously new to the annals of KONG research. You may never look at Kong in quite the same way again.

In the meantime... First Class subscribers should find VIDEO WATCHDOG 125 in their mailboxes sometime next week. Enjoy!

PS: Please note that my review of DER HUND VON BLACKWOOD CASTLE of a few days ago has been amended to include a postscript with US release information shared by reader Tom Schumaker. Danke schoen!

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