Wednesday, July 26, 2006

The Cut Scenes from THE CYCLOPS

Today, I have some additional notes to offer on the subject of Bert I. Gordon's THE CYCLOPS. Those of you who are under the age of 40 may not realize this, but when many B-horror pictures originally distributed by Allied Artists Pictures Corporation were first shown on television, they were newly padded with opening narrative scrolls to fill 90-minute timeslots. Among the titles featuring such scrolls were ATTACK OF THE FIFTY FOOT WOMAN, THE DISEMBODIED, DAUGHTER OF DR. JEKYLL, BEAST FROM HAUNTED CAVE (which was further padded with additional footage), and -- unless I'm mistaken (and I might be) -- THE ATOMIC SUBMARINE.

Not all Allied Artists titles were so altered; neither FRANKENSTEIN 1970, THE HYPNOTIC EYE, nor CALTIKI THE IMMORTAL MONSTER were so retailored for TV. But for anyone who saw these films between their theatrical playdates and, roughly, 1984 -- when these TV syndication prints abruptly disappeared as local stations sought to compete with cable television, this is the only way they could be seen... and those of us who loved these films expected they would remain changed in this way forever.

However, since the arrival of the home video age, film companies have been going back to original camera negatives and 35mm positive elements to obtain the best-looking masters possible for DVD and cable television release -- and this has left those "narrative scroll" versions forgotten on old 16mm reels. Naturally, I'm a purist and I prefer to have these films as they looked in theaters... but I'm also a nostalgist and miss these absurdly ponderous scrolls, which were incidentally the work of HOW TO MAKE A MONSTER director Herbert L. Strock. They are hard-wired into my memory of these pictures, because they were part of them the first time (in some cases, the first several times) I saw them.

To illustrate this little history lesson, here is the opening scroll originally seen in TV prints of THE CYCLOPS, probably never to be seen again except on the old Beta and VHS tapes of those of us who recorded them off the air, twenty-some years ago. You can click on any of the images in this posting to enlarge them:







Pretty cool, eh? There was no narrator's voice, just some very hoary library music playing underneath the ssssssllllllllooooooowwwwwwwwlllllllllyyyyyy scrolling text -- all of which helped to set the mood on those Saturday and Late Night spook shows of yesteryear.

All of this is prologue to some unfortunate and more timely news about Monsters HD's print of THE CYCLOPS, about which I posted with enthusiasm the other day. It was a long time since I'd seen the picture, however, and it took the alerting of Dennis Rood and Steve Pickard to make me aware that the climactic moment in the picture -- the blinding of the Cyclops -- is actually cut in its high-definition version.

As this scene appears on Monsters HD, James Craig fashions a flaming javelin out of a stick and some vegetation, climbs up a hillside to gain height, and hurls it at the Cyclops -- CUT to a shot of the giant's superimposed hand trembling with pain over a shot of Craig on the hillside. The Cyclops falls prone on the ground and Craig makes his escape. The Cyclops then rises with the javelin still in his covered eye, protruding between his fingers... CUT to the spinning propellers of our heroes' getaway plane, followed by a process shot of the giant staggering toward it.

Here is the sequence as it appears uncut (which is not only the way it appeared in theatrical prints, but in the Allied TV prints, as well):


The flaming javelin approaches the eye of actor Duncan (Dean) Parkin...

OW! THAT'S GOTTA HURT! Then he covers the wound with his hand, and collapses.

After Craig escapes, the Cyclops revives from his swoon and sets about extracting the javelin. This shot is in the Monsters HD print, but it cuts away just short of this...

The Cyclops extracting the bloody (and evidently deeply penetrating!) weapon and...

... exposing a grisly view of the bleeding, punctured orb! (Ironically, it was the censored version of this scene that Monsters HD used in their on-air promotions for the picture, promising viewers that they would "See All the Good Parts.")

Another curious point of variation about the Monsters HD print is that it lacks the opening "Allied Artists Pictures Corporation Presents" card which opened the theatrical prints, and replaces the plain "The End" card of that print and the "Distributed by Allied Artists Pictures Corporation" end card of the TV prints with a new closing card that reads "The End - Distributed by RKO Radio Pictures." As far as I (and the IMDb) know, THE CYCLOPS was never released by RKO Radio Pictures, at least not in this country. Perhaps this is the clue that will help to identify the source and cause of this missing footage.

Here's hoping that David Sehring and Team Monsters HD can do something to recover this missing footage (which was in the previous Thriller Video VHS release) and remaster THE CYCLOPS for future broadcast, as they've already done with FROM BEYOND, THE FLESH EATERS, and other important films.

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