NOW YOU SEE HIM, NOW YOU DON'T
1972, Walt Disney Video, DD-2.0/16:9/LB/CC/ST, 88m 15s, $19.99, DVD-1
Perhaps the most one can say on behalf of Walt Disney's second "Dexter Riley" movie, NOW YOU SEE HIM, NOW YOU DON'T, is that it's an improvement on the first (THE COMPUTER WORE TENNIS SHOES, reviewed here last September 23). Otherwise, returning screenwriter Joseph L. McEveety recycles the same template: ace Medfield College science student Riley (Kurt Russell) is working on a new and absurd-sounding project; a random storm facilitates his unexpected success; his invention attracts the attention of local crooked businessman A.J. Arno (Cesar Romero), to whom the college dean E.J. Higgins (Joe Flynn) is financially indebted; the smug Dean Higgins is still in competition with Dean Collingswood (Alan Hewitt), the smugger head of a larger college, this time for a $50,000 grant from local businessman Timothy Forsythe (Jim Backus); a scientifically augmented student (this time Richard Schuyler, played by Michael McGreevey) snoops into Arno's affairs to expose him, prompting him to take steps to embarrass Riley and Medfield College publicly; and it all builds to a finale with a wild-and-woolly road chase sequence and scholastic competition.
In this case, Riley's science project turns out to be an invisibility formula, which he's copped from the disregarded 200 year-old writings of a Russian scientist who died in an insane asylum. The invisibility agent is a water-soluble liquid, which allows for some humorous moments when Schuyler's invisibility is rendered partial (when he walks his invisible sneakers through a puddle, for instance) or altogether negated without his knowledge. Among the supporting players are Edward Andrews, Richard Bakalyan, Burt Mustin, Mike Evans (Lionel of TV's ALL IN THE FAMILY and THE JEFFERSONS, who recently died of throat cancer at age 57), and a very young, tousle-haired Ed Begley, Jr., who would do his own amusing invisible-but-not-really routine in "Son of the Invisible Man," a Carl Gottlieb-directed segment of the later AMAZON WOMEN ON THE MOON (1987).
Joyce Menges looks agog as a horrified Michael McGreevey realizes that Dexter's latest formula actually works.
As with the earlier film, NOW YOU SEE HIM... suffers from low energy editing by Cotton Walburton, showing none of the comedy-enhancing snap, crackle and pop he had brought to his cutting of THE ABSENT-MINDED PROFESSOR or MOON PILOT, and a vague yet action-intensive script that leaves us none the wiser about who Dexter Riley and his friends really are, or why we should care about them. The cover art suggests, if not a romantic relationship (à la Annette Funicello and Tommy Kirk in the Merlin Jones movies), at least a sense of equality between Kurt Russell and cute co-star Joyce Menges; but -- like Debbie Paine in THE COMPUTER WORE TENNIS SHOES -- Menges is merely the token female character. She called her screen career quits after this.
If possible, this sequel is even cheaper-looking than its predecessor, the invisibility effects fraught with dirty-looking bluescreen traces of stepped-up grain and all-too-visible wires ambulating an invisible teen's all-too-visible gym shoes. A much-promoted photo depicting a student with eyeglasses and familiar facial wrappings turns out to have nothing to do with invisibility, but with an allergy to bee stings! Much as the previous film was remarkable for the array of facial flaws and blemishes on display, this one is a nearly non-stop parade of bad hair (aside from the ever-suave Cesar Romero) -- not because the hairstyles look unfashionable, but because the actors (William Windom as Prof. Lufkin particularly) were allowed to go before the camera looking poorly groomed, not to mention wearing clashing wardrobe that looks imported from home. The film's saving grace is an extended golfing sequence that finds gaudily-dressed golf amateur Dean Higgins effortlessly winning a game on the green with invisible help; it's here that Flynn's comic performance and the comedic timing of COMPUTER director Robert Butler momentarily spring to life. Someone in the casting department was also showing a sense of humor when they hired an actor named Jack Griffin (uncredited) to play one of the traffic cops.
Ed Begley, Jr. explains to William Windom and Joe Flynn why he won't be able to participate in Medfield College's science competition.
Whereas Disney's DVD of THE COMPUTER WORE TENNIS SHOES was standard ratio, NOW YOU SEE HIM, NOW YOU DON'T (released in May 2004) is soft-matted from its standard camera ratio to its intended projection ratio of 1.85:1. I would imagine that a full frame rendering would only serve to expose some of the invisibility mattes and rigs moreso than they are exposed here. The picture quality is okay, and the only curiosity about the audio track is that the frankly miserable score has been so buried in the sound mix that it often sounds like it's emanating from another, semi-soundproofed room. The closed-captioned disc features subtitles in French and Spanish but no secondary audio tracks.