Saturday, May 05, 2007
April proved to be a busier than usual month for me and now my batteries are running low; I'm hoping to cut down on extracurricular projects for a little while, until I'm feeling re-energized. I spent the past month on my book about the making of David Cronenberg's VIDEODROME for Millipede Press, who intend to publish it this fall as the first book in a new paperback series called "Studies in the Horror Film." The book was written 25 years ago, but in order to deliver it to Millipede Press, I had to pour the original (messy) typescript into my computer and clean it up, add a couple of separate articles I also wrote about the filming, include some other interesting material I found in my file cabinets that I was prevented from including in the original ms. by my previous deadline (including additional interviews with Cronenberg and Les "Barry Convex" Carlson), and then synthesize everything into an organic reading experience. I believe I was contracted to deliver a book of 10,000 words or so, but the end product was 150 single-spaced pages, closer to 35,000 words. As my pal David J. Schow exclaimed, "That's a short novel!" Happily, my editor at Millipede Press doesn't seem phased by the additional length and is moving forward. That's a relief to me, but it's the only relief. I had to jump right into preparing VW #131 this week, with no decompression time -- and it's an issue that has required some additional hurry-up reviewing on my part.
Our first-class subscribers should have started receiving our latest issue, VIDEO WATCHDOG #130, by now. Unfortunately, based on the feedback we've been receiving from our bulk rate subscribers, it seems that bulk-mailed issues can now take up to 5-6 weeks to reach their destinations. We apologize for the delay, but it's beyond our control. Your issue isn't lost, it's just being delivered by the USPS, who seem to be dragging their feet in regard to bulk mailings these days as they gear up for yet another postage rate hike. We offer bulk rate subscriptions as a financial convenience to our readers, but suffice to say, if you want your issues in a timely fashion, First Class is the way to go.
Finally, if you're looking for some Cinco de Mayo movie recommendations, you can't go wrong with the latest offerings from Casa Negra: Rafael Baledon's THE MAN AND THE MONSTER and Fernando Mendez's horror Western THE LIVING COFFIN. Of the two, I particularly recommend THE LIVING COFFIN which, though made in 1959, reminds me somewhat of Bava's KILL, BABY... KILL! (1966) in terms of its photography, settings, and atmosphere. Here a small Western town is haunted by the apparition of a llorona or "crying woman" ghost and a rational-thinking cowboy, riding through with his sidekick Crazy Wolf, decides to stick around and investigate these occurrences. It's a mixed bag by design -- Western, horror, mystery, even some comic relief -- but it's an attractive film with some effectively creepy moments.
In closing, a Happy Cinco de Mayo to you all, amigos! Alas, it's "Hold the Mayo!" as far as I'm concerned -- and back to work on the next issue....
Thursday, May 03, 2007
Tuesday, May 01, 2007
Steve Reeves and Gordon Scott in DUEL OF THE TITANS.
Evidently Scott and Weintraub didn't get along, and Scott was subsequently replaced in the Tarzan role by the leaner, almost-ten-years-older Jock Mahoney. Scott's friend Steve Reeves arranged for Scott to star opposite him in the Sergio Leone-penned saga of Romulus and Remus, released here in the States as DUEL OF THE TITANS. My childhood memory of the publicity campaign attending this release was the closest thing to having two demigods descend from Olympus: "Giant Against Giant!" Movies simply didn't get any bigger. Remember, this was before King Kong had met Godzilla, and the spectacle of two colossal men engaged in battle on the widescreen was virtually unprecedented. It turned out to be a good movie too, in which Scott gives what may well be the performance of his career as a hero who, poisoned with jealousy of his brother, turns villainous.
Scott's introduction into Italian filmmaking sustained him through the remainder of a sadly dwindling career, but he made good films there. He assumed the role of Maciste in (renamed for America) GOLIATH AND THE VAMPIRES and SAMSON AND THE 7 MIRACLES OF THE WORLD (directed by Riccardo Freda, a worthy follow-up to his best Tarzan movies), and THE LION OF THEBES, CONQUEST OF MYCENAE and the unfortunately named but fabulous ZORRO AND THE THREE MUSKETEERS. He drifted into Italian spy pictures just before the end of his career, making his last screen appearance in 1967.
I've heard gossip about Scott's Italian years that describe him as the wildest of a wild pack, and gossip of more recent vintage that held that alcoholism, reckless living, and a preference for a footloose lifestyle had conspired to harm Scott's career and destroy his personal life. Certainly the beer-bellied, ballcap-wearing man seen at autograph shows over the past 10-15 years bore no resemblance to the mythic figure Scott had formerly been. I wanted very much to devote an issue of VIDEO WATCHDOG to an in-depth interview with him, as I considered him a great star, but somehow we could never get a proper commitment, perhaps because he was unsure where he was going to be from one month to the next. I still want to do my Gordon Scott issue someday, but now it will have to be in the manner of a career appreciation.
Hollywood rise and fall stories are a dime a dozen. If the story of Gordon Scott seems especially tragic, it is because he achieved such incredible heights of heroism on the silver screen and left us with such indelible memories of intelligent virility and confidence. He was a Tarzan that Edgar Rice Burroughs would have recognized as his own, and been proud of.
I blogged about Gordon Scott last year, and I can only hope that someone showed him my words of appreciation. I remain ever hopeful that the best of his films will someday make it to DVD -- if Paramount is reading this, you own the TARZAN'S GREATEST ADVENTURE and TARZAN THE MAGNIFICENT, so what's the holdup?
Sadly, Gordon Scott is now gone... so bring on the Gordon Scott!