Tuesday, November 04, 2008

New Books from Weaver and Schow

I am pleased to note that I'm not the only VIDEO WATCHDOG contributor with a new book out. In yesterday's mail came the latest hardcover from ace interviewer Tom Weaver, bearing the clever title I TALKED WITH A ZOMBIE (McFarland and Company, $45).

Included in this new compendium are "Interviews with 23 Veterans of Horror and Sci-Fi Films and Television, including COLOSSUS THE FORBIN PROJECT's Eric Braeden, Robert Conrad of THE WILD WILD WEST, James Darren, Robert Colbert and Lee Meriwether of THE TIME TUNNER, '50s kid star Charles Herbert, THE QUEEN OF OUTER SPACE herself Laurie Mitchell, HORROR HOTEL's Betta St. John, THE RAVEN's Olive Sturgess and more than a dozen others, including the hardcover debut of Tom's interview with THE CURSE OF THE CAT PEOPLE child star Ann Carter, which originally ran in VW. This is reportedly Tom 's 19th book, and I believe it's his twelfth collection of interviews, not counting McFarland's retitled paperback collections. It's amazing that he continues to find such top-drawer people to talk with, but it reflects the skill he applies to the job. As always, Tom dedicates this latest Q&A collection to past interviewees who have passed on since the last one; this book is dedicated to 32 people, which in itself is a testament to the value of the history Tom has been compiling.

Also now in bookstores is David J. Schow's GUN WORK (Hard Case, $6.99), his opening salvo as a contributor to the Hard Case Crime paperback series. I haven't read it yet, but it's my understanding that DJS undertook this book as a sort of lark, as a fan infatuated with the series, which revives the sleazy crime potboiler paperback genre of yesteryear, with reprints of classic long-out-of-print fiction by the likes of Mickey Spillane, Lawrence Block, Robert Bloch and George Axelrod, and new works in the milieu by such steel-eyed idolators as Max Alan Collins, Richard Aleas (a beard for the Hard Case line's founder Charles Ardai) and Christa Faust.

David supposedly wrote this book faster than a speeding bullet, but it turns out that's a key ingredient in the winning recipe for this type of thing. He knows his firearms anyway, and a thing or two about the ladies, I'm sure, and it's all paid off in what is being appreciated as a real knack for this sort of down-and-dirty storytelling. GUN WORK just scored an enthusiastic review at Bookgasm, and if you ask me, a label like "gun porn" just might have more staying power than "splatterpunk."

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