Sunday, July 13, 2014


This new science fiction film from the UK was way oversold to me. There is quality here, a very watchable, occasionally engrossing technique of style and subtraction, but the serial monotony of the story - a female of extraterrestrial origin lures a series of men into an apartment that traps and absorbs them (think the scenes in Adjani's apartment in Zulawski's POSSESSION played out on black Astaire-Rogers studio floor) - should have more substance or purpose. The old saw about the alien who finds themselves becoming more human after prolonged wearing of their human skins also gets played again, and the film is basically reducible to an abstract remake of JAWS in which the shark ultimately gets eaten. Jonathan Glazer's directorial stance withdraws from the story to a point that initially seems godly but is ultimately atheistic. I've heard this described as Kubrickian, but there is absolutely none of the poker-faced humor that is Kubrick's hallmark. If anything, there are moments reminiscent of Lynch's ERASERHEAD and these are the moments that make this movie so pleasingly environmental and demanding of larger screen immersion. I did not think Scarlett Johansson was exceptional, but I've always found her competent. Worth a look, but hardly the Second Coming.

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